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Amber Waves Directory 01
Page 03
The internal evidence of the wooden figures themselves--nothing analogous to which, it should be remembered, can be found in the chapel of 1687--points to a much earlier date. I have met with no school of sculpture belonging to the early part of the eighteenth century to which they can be plausibly assigned; and the supposition that they are the work of some unknown local genius who was not led up to and left no successors may be dismissed, for the work is too scholarly to have come from any one but a trained sculptor. I refer of course to those figures which the artist must be supposed to have executed with his own hand, as, for example, the central figure of the Crucifixion group and those of the Magdalene and St. John. The greater number of the figures were probably, as was suggested to me by Mr. Ranshaw, of Lowth, executed by a local woodcarver from models in clay and wax furnished by the artist himself. Those who examine the play of line in the hair, mantle, and sleeve of the Magdalene in the Crucifixion group, and contrast it with the greater part of the remaining draperies, will find little hesitation in concluding that this was the case, and will ere long readily distinguish the two hands from which the figures have mainly come. I say "mainly," because there is at least one other sculptor who may well have belonged to the year 1709, but who fortunately has left us little. Examples of his work may perhaps be seen in the nearest villain with a big hat in the Flagellation chapel, and in two cherubs in the Assumption of the Virgin.
The generous policy of Tib. Sempronius Gracchus in B.C. 179[58] had secured for Spain a long period of tranquillity. But in B.C. 153, the inhabitants of Segeda having commenced rebuilding the walls of their town, which was forbidden by one of the articles in the treaty of Gracchus, a new war broke out, which lasted for many years. The Celtiberians in general espoused the cause of Segeda, and the Consul Q. Fabius Nobilior made an unsuccessful campaign against them. His successor, the Consul M. Claudius Marcellus, grandson of the Marcellus who was celebrated in the Second Punic War, carried on the war with vigor, and concluded a peace with the enemy on very fair terms (B.C. 152). The Consul of the following year, L. Lucinius Lucullus, finding the Celtiberians at peace, turned his arms against the Vaccaei, Cantabri, and other nations as yet unknown to the Romans.
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