|
|
Amber Waves Directory 06
Page 10
The work consists of about forty figures in all, not counting Cupids, and is divided into four main divisions. First, there is the large public sitting-room or drawing-room of the College, where the elder young ladies are engaged in various elegant employments. Three, at a table to the left, are making a mitre for the Bishop, as may be seen from the model on the table. Some are merely spinning or about to spin. One young lady, sitting rather apart from the others, is doing an elaborate piece of needlework at a tambour-frame near the window; others are making lace or slippers, probably for the new curate; another is struggling with a letter, or perhaps a theme, which seems to be giving her a good deal of trouble, but which, when done, will, I am sure, be beautiful. One dear little girl is simply reading "Paul and Virginia" underneath the window, and is so concealed that I hardly think she can be seen from the outside at all, though from inside she is delightful; it was with great regret that I could not get her into any photograph. One most amiable young woman has got a child's head on her lap, the child having played itself to sleep. All are industriously and agreeably employed in some way or other; all are plump; all are nice looking; there is not one Becky Sharp in the whole school; on the contrary, as in "Pious Orgies," all is pious--or sub-pious--and all, if not great, is at least eminently respectable. One feels that St. Joachim and St. Anne could not have chosen a school more judiciously, and that if one had daughter oneself this is exactly where one would wish to place her. If there is a fault of any kind in the arrangements, it is that they do not keep cats enough. The place is overrun with mice, though what these can find to eat I know not. It occurs to me also that the young ladies might be kept a little more free of spiders' webs; but in all these chapels, bats, mice and spiders are troublesome.
The plot, as Oates invented and detailed it, was on the most magnificent scale imaginable. The pope himself was at the head of it. The pope, he said, had laid the subject before a society of learned theologians at Rome, and they had decided that in such a case as that of England, where the sovereign and a majority of the people had renounced the true religion, and given themselves up to avowed and open heresy, the monarch lost all title to his crown, and the realms thus fallen from the faith lapsed to the pope, and were to be reclaimed by him by any mode which it seemed to him expedient to adopt. Under these circumstances, the pope had assumed the sovereignty over England, and had commissioned the society of the Jesuits--a very powerful religious society, extending over most of the countries of Europe--to take possession of the realm; that, in the prosecution of this plan, the king was to be assassinated, and that a very large sum of money had been raised and set apart, to be paid to any person who would kill the king; that an offer of ten thousand pounds had been made to the queen's physician if he would poison him. The physician had insisted upon fifteen thousand for so great a service, and this demand had finally been acceded to; and five thousand had actually been paid him in advance. Besides the murder of the king, a general assassination of the Protestants was to take place. There were twenty thousand Catholics in London, for instance, who, according to Oates's account of the plan, were to rise on a preconcerted night, and each one was to kill five Protestants, which it was thought they could easily do, as the Protestants would be taken wholly by surprise, and would be unarmed. The revolution being thus effected, the crown was to be offered to Charles's brother, the Duke of York, as a gift from the pope, and, if he should refuse to accept it on such conditions as the pope might see fit to impose, he was himself to be immediately assassinated, and some other disposal to be made of the kingdom.
|