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Amber Waves Directory 09
Page 02
It is, at any rate, certain that after St. Chrysostom Christmas was observed on the 25th of December in East and West alike, except in the Armenian Church, which still remains faithful to January 6th. St. Chrysostom, who died in the beginning of the fifth century, informs us, in one of his Epistles, that Julius, on the solicitation of St. Cyril of Jerusalem, caused strict inquiries to be made on the subject, and thereafter, following what seemed to be the best authenticated tradition, settled authoritatively the 25th of December as the anniversary of Christ's birth, the _Festorum omnium metropolis_, as it is styled by Chrysostom. It may be observed, however, that some have represented this fixing of the day to have been accomplished by St. Telesphorus, who was Bishop of Rome A.D. 127-139, but the authority for the assertion is very doubtful.
From Brussels Barent van Orley (1491?-1542) left early for Italy, and became essentially Italian, though retaining some Flemish color. He painted in oil, tempera, and for glass, and is supposed to have gained his brilliant colors by using a gilt ground. His early works remind one of David. Cocxie (1499-1592), the Flemish Raphael, was but an indifferent imitator of the Italian Raphael. At Liege the Romanists, so called, began with Lambert Lombard (1505-1566), of whose work nothing authentic remains except drawings. At Bruges Peeter Pourbus (1510?-1584) was about the last one of the good portrait-painters of the time. Another excellent portrait-painter, a pupil of Scorel, was Antonio Moro (1512?-1578?). He had much dignity, force, and elaborateness of costume, and stood quite by himself. There were other painters of the time who were born or trained in Flanders, and yet became so naturalized in other countries that in their work they do not belong to Flanders. Neuchatel (1527?-1590?), Geldorp (1553-1616?), Calvaert (1540?-1619), Spranger (1546-1627?), and others, were of this group.
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